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- 3 days after a film crew comes to town, the lead actress is murdered. The movie script was inspired by Aurora with a librarian/sleuth. Will Real Murders Club solve the crime before the police?
- Deleted and alternate scenes to 'Last Action Hero'.
- Deleted scenes from 'Save the Last Dance'.
- Deleted scenes cut from the film, 'Last Night in Soho'.
- A deleted scene of Mari dying at the lake cut from the film 'The Last House on the Left'.
- Five deleted scenes cut from 'The Last Kiss': Bachelor Party Extended, Treehouse Scene Extended, Izzy and Arianna on the Phone, Chris and Lisa Fight in the Kitchen, Kim Chases Michael.
- (Japanese with English subtitles) In the year 2000, after being retired for a while, an old time actor is cast in a low-budget film. However, he realizes how the soulless, assembly-line production methods have replaced the fertile creative atmosphere he remembers. Last Scene is an unusual yet personal foray into drama for horror mastermind Hideo Nakata.
- A behind the scenes look at the making of the 1993 film, Last Action Hero.
- Daniels is trapped in a white void during his fight to save earth from the gargoyles. He must escape with "the medicines" in order to save humanity from whatever fate awaits them.
- This is a video record of the Allen Ginsberg's death and funeral in his apartment in New York.
- This making-of documentary takes a look at the great climactic car chase between the two Chevrolets that caps the film.
- Walk down a narrow corridor, and you come across a small theater, Kukdo, that has been run for 10 years. The film takes audiences on a short journey to Kukdo and other small theaters facing with similar fates.
- Jacob M. Keene was able to make a much more faithful take on an infamous scene from the Super Mario Bros. film.
- You cannot guarantee anything in life, Things can change within a fraction of a second.
- "Escena Final" is the story of an indigenous Ese'eja child facing the death of his grandfather. During the two days that separate the two traditional funerals the child decides to go for the first time to the city, to chase his grandfather dream and set his spirit free.
- When the creators of "Avatar: The Last Airbender" decided that they wanted to have accurate martial arts in their show, they needed to find a martial arts choreographer and stunt performer. They would film the stunt actor performing martial arts movements, which the animators could then use as reference footage. The person that they ended up picking was Sifu Kisu, an all-in-one master martial artist and fight choreographer. Kisu worked alongside the directors to create the intricate martial arts movements for each character. Director Giancarlo Volpe said that having a stunt performer working on the show ended up saving time overall because it reduced the time spent drawing character movements.
- Short
- On the film set of a production about a film crew shooting a melodrama-feature, during the last scheduled day of filming, the leading actor is unable to play his last few lines where he is supposed to talk the leading actress out of leaving him; reason being the couple have been secretly dating and the actor is the one desperate to break up. Tensions on the set increase further with the location owner adding pressure to finish the last scene before the day ends. The situation makes a free fall after the film director, the leading actresses's real life partner, suggests an alternative "ending."
- Tarek is a successful, award-winning stage actor who used to lead several university stage troupes during his studies at college. Filled with hopes of becoming a movie star, he applies for an audition to join the cast of a new film. A golden opportunity to share his talent to the world, or that's what he thought.
- An interpretation of a scene in a train car scripted by Fellini.
- A murder mystery that places a writer at a crossroads when trying to decide on the 'perfect ending' of his latest screenplay. As the writer delves deeper into the story, his thoughts and idea become his reality. Who should the killer be? How does it end?
- For John Arden, the future holds nothing but the promise of dreamless sleep and rest. He is very old and very tired. Because the present is sad and profitless, he seeks the past in his dreams. The link which connected him with his vanished youth is a scrapbook of brown paper. In it Arden had carefully pasted the programs of the plays in which he had won his laurels as an actor. As he sits and muses over the pages, the scene fades and Arden lives again the history of his life. It was in "Richelieu" that he made the first step toward greatness. He was only a minor actor in the company of the great Celia Torrence when suddenly one of the principals was taken ill and Arden was given the part. His success was startling and immediate. The next year Arden's name was mentioned under Celia's in the program heading, but it did not stop there. As the months went by, Arden's reputation grew mightily until it fairly equaled that of the great Celia. And then, one momentous day, the star came to the theater and discovered that Arden's name was featured on the billboard in larger type than her own. When the critics came to call on the actors, Arden was now the center of their attention. A marked coolness sprang up between the two. It was not Arden's fault. In the few years they had played together, he had grown very fond of the beautiful actress. The coolness progressed until at length came the inevitable break. Arden, broken-hearted, withdrew from the company where his presence was so constant a source of vexation to Celia. Shortly after Arden left, Celia married Granby Phelps, the actor who had taken Arden's place. This was the final blow. Arden threw all his thoughts of future greatness to the winds and allowed himself to drift through life with neither love nor hope. In the last scene of all, we see how in his final delirium, he fancies that he is once again playing in the fight scene of "Richard III," and how he is beaten to the ground by the man who had taken away the only delight of his heart.
- Comprehensive insight into making three of the film's key sequences. Included are Lighting the Spark: Creating the Space Battle (14:23), Snoke and Mirrors (5:40), and Showdown on Crait (12:56).
- Ambitious first-time film director Alex Nolan is having trouble eliciting a good and believable performance out of lovely, but inexperienced lead actress Leda Bedell. Alex decides to use unorthodox methods to coax more credible and effective acting from Leda for the crucial final scene of the horror movie they're working on together.